{"id":6107,"date":"2017-07-31T15:51:16","date_gmt":"2017-07-31T13:51:16","guid":{"rendered":"http:\/\/www.riccardomagherini.com\/fineart\/?page_id=6107"},"modified":"2026-09-21T12:11:35","modified_gmt":"2026-09-21T10:11:35","slug":"press","status":"publish","type":"page","link":"https:\/\/www.riccardomagherini.com\/fineart\/press\/","title":{"rendered":"Press"},"content":{"rendered":"

Magherini pone en cuesti\u00f3n la concepci\u00f3n lineal del tiempo como un flujo homog\u00e9neo y mensurable, para sustituirla por una noci\u00f3n estratificada y subjetiva, donde pasado y presente coexisten en una misma superficie visual: la memoria de dicha especie.
\nJuan Pablo Torres Mu\u00f1iz
\n<\/em>CRIBA<\/a><\/p>\n

Rather than relying on one clean \u201cslice of life\u201d frame, Riccardo reconstructs each image from multiple fragments gathered while moving through the city. Gestures, architecture, light, texture, signage and atmosphere overlap across the compositions, creating scenes that hold multiple moments at once, the same way memory does: imprecise, atmospheric, and emotionally faithful.
\nThe Inspiration Grid<\/a><\/p>\n

Italian photographer Riccardo Magherini traced the development of a body of work spanning more than 15 years and six major urban series – Tokyo, Firenze, Circus, Hong Kong (HKK), Bangkok (BKK), and Hanoi \u2013 at an engaging talk at Xposure 2026, Sharjah, UAE.
\nSharjah Government Media Office Events News<\/a><\/p>\n

In ‘The Shape of Memories \u2013 Reimagining Time, Space, & Presence […]<\/em> la fotografia diventa un dispositivo di memoria e percezione, mettendo in discussione la linearit\u00e0 del tempo e la stabilit\u00e0 dello spazio. L\u2019immagine non documenta un luogo o un evento, ma si offre come frammento di esperienza, aperto a letture multiple e soggettive.’
\nElena Pizzato – Exibart
\nEXIBART<\/a><\/p>\n

‘Riccardo Magherini \u00e8 interprete di una fotografia fine art <\/i>che lavora sui confini della percezione. Le sue composizioni stratificate e astratte trasformano frammenti di esperienza in narrazioni visive complesse, dove spazio e memoria si confondono raccontando le citt\u00e0 del Sud Est asiatico: una sorta di reportage on the road<\/i> dove la sovrapposizione delle immagini genera un clima culturale nuovo, a tratti straniante.’
\nMauro Pigozzo – Corriere della Sera
\nCORRIERE DELLA SERA<\/a><\/p>\n

‘Magherini takes multiple frames of the same location, and layers them to create unique images that distort the subjects within the picture, and create a sense of movement. Much like Hockney and Picasso, the pieces seek to capture the dynamic nature of the world and how it is never static. Even though the image depicts a building made of stone, a frantic energy is ever present.’
\nTHE PHOTOGRAPHY PROJECT<\/a><\/span><\/p>\n

‘Susan Sontag said that \u201ca photograph is a slice of space and time.\u201d Magherini with his works brokes through this definition through his nearly ten years of exploration.’
\nXun Chi – Photo World Magazine
\nPHOTO WORLD<\/a><\/span><\/p>\n

\u2018Magherini ve el mundo como una \u00absuma de instantes\u00bb que, combinados, revelan el ayer y el hoy al mismo tiempo. Capa por capa, el artista fiorentino da vida a la teori\u0301a del Universo de Bloque \u2014en la que pasado, presente y futuro suceden al mismo tiempo\u2014 de una forma oni\u0301rica, emotiva y sumamente dina\u0301mica.\u2019
\nLigia Bang
\nBLANC&BLEU<\/a><\/span><\/p>\n

\u2018Riccardo Magherini\u2019s reality is fascinating in its intentional\u00a0lack of clarity. He layers perspective and moments in time, as if seeing through an insect\u2019s compound eyes, or those of an alien with extra-dimensional perception. It\u2019s what we\u2019d normally see, only\u2026deeper. Like if those fabled, unused parts of our brain were suddenly switched on. A new way of seeing.\u2019
\nEric Perret
\nMylio<\/span><\/a><\/p>\n

\u2018Il a immortalis\u00e9 la vie quotidienne des habitants et des ouvriers de mani\u00e8re artistique et originale, entre flou et atmosph\u00e8re complexe.\u2019
\nHoel Cadic
\nFubiz<\/span><\/a><\/p>\n

‘Merging moments and places, Riccardo allows us to make our own vision, a very personal point of view.
\nDetails and nuances come to the surface joining the plot, enriching it, generating unexpected connections.’
\nMaxim Pan\u00e9s
\nDodho<\/span><\/a><\/p>\n

‘Riccardo Magherini\u2019s unique take on street photography stands apart from the popular high contrast black and white or vivid color looks that seem to be in style right now.’
\nAnthony Thurston
\nThe Phoblographe<\/span>r<\/a><\/p>\n

\u2018Magherini sees the world as \u201ca sum of instants,\u201d moments and impressions that overlap each other and merge into feelings and memories.\u2019
\nRobin De Clercq
\nResource Travel Magazine<\/span><\/a><\/p>\n

\u2018E\u2019 la vita che incede nello scorrere delle linee, dei colori e delle forme fra i confini dell\u2019immagine.\u2019
\nLoredana De Pace
\nFoto Cult
\n\u2018Using overlapping image layers, Riccardo Magherini documents the people\u2019s life in an artistic way.\u2019
\nDirk Petzold
\nWe and the color<\/span><\/a><\/p>\n

\u2018Dopo un battito di ciglia, quando cominci a distinguere le forme, ti sembra che la realt\u00e0 non potrebbe essere registrata in modo pi\u00f9 fedele di cos\u00ec.\u2019
\nSilvia Cannas Simontacchi
\nDarlin<\/span><\/a><\/p>\n

\u2018La serie \u2018Firenze\u2019 \u00e8 un processo di stratificazione di memorie. Immagini raccolte nel tempo: ore, giorni, a volte stagioni, formando delle sequenze, dei fili. E i fili sono stati intrecciati come in un arazzo, con le immagini come trama e i ricordi come ordito. Un arazzo tessuto con una prospettiva rinascimentale e dipinto con un pennello del XIX secolo.\u2019
\nCarmen Palmisano
\nPosi+tive Italy<\/span><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Magherini pone en cuesti\u00f3n la concepci\u00f3n lineal del tiempo como un flujo homog\u00e9neo y mensurable, para sustituirla por una noci\u00f3n estratificada y subjetiva, donde pasado y presente coexisten en una misma superficie visual: la memoria de dicha especie. Juan Pablo Torres Mu\u00f1iz CRIBA Rather than relying on one clean \u201cslice of life\u201d frame, Riccardo reconstructs each image from multiple fragments gathered while moving through the city. Gestures, architecture, light, texture, signage and atmosphere overlap across the compositions, creating scenes that…<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-6107","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.riccardomagherini.com\/fineart\/wp-json\/wp\/v2\/pages\/6107","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.riccardomagherini.com\/fineart\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.riccardomagherini.com\/fineart\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.riccardomagherini.com\/fineart\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.riccardomagherini.com\/fineart\/wp-json\/wp\/v2\/comments?post=6107"}],"version-history":[{"count":4,"href":"https:\/\/www.riccardomagherini.com\/fineart\/wp-json\/wp\/v2\/pages\/6107\/revisions"}],"predecessor-version":[{"id":7419,"href":"https:\/\/www.riccardomagherini.com\/fineart\/wp-json\/wp\/v2\/pages\/6107\/revisions\/7419"}],"wp:attachment":[{"href":"https:\/\/www.riccardomagherini.com\/fineart\/wp-json\/wp\/v2\/media?parent=6107"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}